Technics SL-1200GR2

• Coreless ΔΣ-Drive suppresses vibrations from the motor for smoother, more accurate rotation
• Low-noise, low-voltage power circuit and a switching power supply
• Two-layer platter with high rigidity and vibration damping
• Tonearm achieving high initial-motion sensitivity
• Includes 2 x Ortofon Concorde MKII Club cartridge & stylus

Overview

The improved motor-drive circuit centered on the newly developed ΔΣ-Drive (Delta Sigma Drive) thoroughly suppresses any minute vibrations generated from the motor. This is the first stage of Technics’ new generation of direct drive turntables that aim for further improvements in sound quality.

New Motor-Drive System, ΔΣ-Drive (Delta Sigma Drive)

The ΔΣ-Drive is a new system that applies Technics’ expertise in PWM signal processing. In addition to reducing high harmonics, the new drive suppresses vibrations from the motor for smoother, more accurate rotation, ensuring a rich reproduction of the music.

The First Stage of The New Generation of Technics’ Direct Drive Turntables

Since inventing the world’s first direct drive turntable, Technics has continued to work to improve sound quality. It has now developed the ΔΣ-Drive, which suppresses minute vibrations from the motor and improves the electromagnetic conversion accuracy of the cartridge. The first stage of direct drive turntable systems featuring this technology is the SL-1210GR2.

Coreless Direct Drive Motor Achieving Stable Rotation

In 1970, Technics commercialised the world‘s first direct drive turntable, and the system took the world by storm. Unlike belt drive and other systems, direct drive systems rotate the motor at low speed and directly drive the platter, thus providing numerous advantages, such as the almost complete absence of degradation in S/N ratio due to motor vibration and deceleration mechanisms, as well as high reliability over a long period time because of not requiring parts replacement.

And in 2016, Technics developed the twin-rotor, surface-facing, coreless direct drive motor with rotor magnets placed on both sides, thereby eliminating the rotation irregularity of the motor, referred to as "cogging," which was a unique issue for direct drive systems. This motor was adopted for the SL-1200G, which once again drew a significant response in the hi-fi market. The SL-1210GR2 inherits the same design philosophy with the new development of a single-rotor, surface-facing, coreless direct drive motor, resulting in the elimination of cogging.

Multi-Stage Silent Power Supply

Low-Noise Switching Circuit

Use of a high-speed switching power supply ensures a stable supply capacity and less ripple and humming. Applying a switching power supply to a turntable eliminates the need for a large transformer and countermeasures for the ensuing mechanical vibrations.

A switching frequency of above 100 kHz limits the impact of noise on the music playback bandwidth.

Current Injection Active Noise Cancelling

This technology combines a noise detection device with an error amplifier. It detects residual noise in the power supply and applies an inverse phase current to remove noise components. It removes low frequency noise more effectively than a regulator to ensure a more ideal power supply.

Pursuing Rigidity and Vibration Damping Characteristics

The platter achieves high rigidity and vibration damping characteristics by using a two-layer construction with deadening rubber applied to the entire rear surface of the aluminium die-cast to eliminate the unnecessary resonance that is otherwise relayed to the record, thereby producing clear sound.

To increase the inertial mass and reduce vibration, the shape of the aluminium die-cast portion was optimized by simulation. At 2.5 kg (including the rubber mat), the SL-1210GR2 platter is 0.8 kg heavier than that of the previous SL-1200MK5. Also, the back surface of the platter has strengthening ribs added to improve rigidity. Increasing the surface area of contact with the deadening rubber achieves damping characteristics that are more than twice those of the SL-1200MK5.

Tonearm Achieving High Initial-Motion Sensitivity

The tonearm tracks the rotation of the record and enables reading with high precision, and the tonearm inherited by Technics is the traditionally used static-balance universal S-shaped tonearm, employing an aluminium pipe with excellent light weight and rigidity for the material of the tonearm pipe.
With its gimbal suspension construction, the tonearm bearing section uses a cut-processed housing that employs high-precision bearings, as in the SL-1200G and SL-1200GR. The high initial-motion sensitivity of 5 mg or less is achieved through manual assembly and adjustment by skilled Japanese artisans. This enables the grooves etched into the records to be accurately traced.

In addition, one type of auxiliary weight comes included, and the cartridge can be swapped with a variety of other cartridges to match the music genre or feeling. (Applicable cartridge weight when using the supplied auxiliary weight: 10 - 16.4 g (not including the supplied head shell))

Two-Layered Construction

The SL-1210GR2 ensures high rigidity by using a body with a two-layered construction that solidly unifies the BMC and the aluminium die-cast chassis.

High-Damping Silicon Insulators

For the insulators supporting the body, the SL-1210GR2 uses special silicon rubber that ensures high vibration damping characteristics and long-term reliability.

High-Quality Terminals

The turntable uses gold-plated phono terminals for detachable cables, while metal shielding construction inside the case reduces the effects of external noise.

Tech Spec

Drive Method
Direct Drive

Motor
Brushless DC motor

Turntable Speeds
33-1/3, 45 and 78 rpm

Pitch Adjustment Range
±8% and ±16%

Starting Torque
2.2 kg･cm

Build-up Characteristics
0.7 s. from standstill to 33- 1/3 rpm

Braking system
Electronic brake

Wow and Flutter
0.025%　W.R.M.S.

Turntable Platter
Aluminum diecast
Diameter：332mm
Weight：Approx. 2.5kg (Including a rubber sheet)

Tonearm Section

Type
Static Balance

Effective Length
230mm

Overhang
15mm

Tracking Error Angle
Within 2° 32'　(at the outer groove of 30cm(12") record)
Within 0° 32'　(at the inner groove of 30cm(12") record)

Offset Angle
22°

Arm Height Adjustment Range
0 - 6mm

Stylus Pressure Adjustment Range
0 - 4g (Direct Reading)

Headshell weight
Approx. 7.6g

Applicable Cartridge Weight Range
(without auxiliary weight)
5.6 - 12.0g
3.1 - 9.5g　(using cartridge spacer)
14.3 - 20.7g (including head shell)
(with auxiliary weight)
10.0 - 16.4g
7.5 - 13.9g　(using cartridge spacer)
18.7 - 25.1g (including head shell)

Cartridge Mounting Dimension
12.7 mm (1/2") interval

Head Shell Terminal Lug
1.2mmφ 4-pin terminal lug

Terminals

Audio Output
PHONO (Pin Jack) x 1
EARTH TERMINAL x 1

General

Power Supply
AC220-240 V, 50/60 Hz

Power Consumption
11 W (ON)
0.3 W (OFF)

Dimensions (W x H x D)
453 x 173 x 372 mm

Weight
Approx. 11.5kg

Operating temperature range
0℃ to +40℃

Operating humidity range
35% to 80% RH (no condensation)

Accessories
Turntable, Turntable sheet, Dust cover, EP record adaptor, Balance weight, Auxiliary weight, Cartridge spacer Head shell, Overhang gauge, Screw set for cartridge, PHONO cable, PHONO earth lead, AC power supply cord, Owner's Manual

Warranty: 2 Years

-

Allen & Heath XONE:92

• Four 4-band EQ mix channels
• Two 3-band parametric EQs
• Independent stereo Mix 1, Mix 2 and Booth outputs
• 2 aux sends for output to external FX units
• Monitor section includes post EQ switch, split cue and mix to cue balance

Overview

A versatile 6-channel analogue DJ mixer, renowned for its warm, punchy sound, which remains a permanent fixture in the booth at many of the world’s biggest superclubs.

The Iconic Club Mixer

The legendary Xone:92 is a versatile six-channel analogue mixer, renowned for its warm, punchy sound with unsurpassed EQ and filter sections.

Thanks to its unrivalled sound quality, solid construction and ease of use, the 92 is on the riders of many of the world’s top DJs and is a permanent fixture in DJ booths across the globe, from Ibizan superclubs to Miami beach bars, underground Berlin clubs to London warehouse venues.

EQ

The Ultimate Analogue EQ

The Xone:92’s unrivalled analogue EQ delivers all the control you need to sculpt your sound and get creative with your transitions.

All 6 stereo channels feature our renowned 4-band EQ with total kill on HF and LF bands with dual mid-frequency controls for the ultimate in tonal control.

Filters

The Best Filters in the Game

When it comes to filters, Xone is widely recognised as the best VCF system in the world of club music.

These legendary filters feature HPF, LPF and BPF modes with frequency and resonance controls which can be modulated via a LFO to add energy and movement to your mixes. And the Xone:92 gives you two.

Faders

Designed to Perform, Built to Last

The cross-fader is a UK built Penny & Giles chosen for its feel and longevity. The channel faders are designed to deliver precise control over levels and are built to withstand everything that gets thrown at them at home, or in the booth.

Sound Quality

The Iconic Xone Sound

Thanks to an all analogue signal path optimised for electronic music, the Xone:92 has been setting the standard for nightclubs across the globe for a generation.

There’s a reason the 92 has become the benchmark for audio quality everywhere from Berlin to Miami – it delivers warm and punchy bass that you can feel in your chest and retains detail and clarity throughout the frequency range.

Tech Spec

Four 4-band EQ mix channels
Two 3-band parametric EQs
Independent stereo Mix 1, Mix 2 and Booth outputs
2 aux sends for output to external FX units
Dual Xone:VCF Filters
2 independent LFO’s for filter manipulation
Monitor section includes post EQ switch, split cue and mix to cue balance
Mic Channel ducking control

0dBu = 0.775 Volts rms, +4dBu = 1.23V rms
0dBV = 1 Volt rms, -10dBV = 316mV rms

Max output level
MIX 1 +22dBu into 47 ohm
MIX 2 +20dBu into 47 ohm
AUX +21dBu into 47 ohm
REC +11dBV into 600 ohm

Internal headroom Channels
+22dB

Freq response
+/-0.5dB 5Hz to 30kHz

Distortion
< 0.003% THD+noise @1kHz

Crosstalk
> -93dB Inter-channel

MIC EIN 22-22kHz
-126dB 150 ohm source

Residual noise
MIX 1 -99dBu
MIX 2 -106dBu
AUX -90dBu
BOOTH -106dBu
REC -96dBu

Mix noise
MIX 1 -88dBu (-90dB S/N)
MIX 2 -90dBu (-88dB S/N)
AUX -88dBu (-86dB S/N)
BOOTH -89dBu (-87dB S/N)
REC -96dBu

Channel meters
Peak reading 9 led
-20 to +10

Main meters
Peak reading 9 led
-20 to +10

Mic EQ
4-Band +/-15dB
100, 250, 2.5k, 10kHz

Music EQ
4-Band +6dB / -30 (Mids)
Infinity (12dB/Oct) LF/HF
250,350, 2k, 2.5K

Ch fader
60mm stereo or rotary VCA

Mix 1 & 2 faders
Rotary

Crossfader
45mm stereo VCA
Replaceable

Filters
Dual stereo VCF
Analogue

Panel
Steel

PSU
Internal switch mode

Mains In
3 pin IEC socket

Power Lead
Country dependant

AC mains
110 to 240V AC @ 47/63Hz

Consumption
30W max

Fuse rating
100-240V AC T500mAL

Dimensions and Weights
(Width, Height, Depth, Weight)
Desktop 320 mm (12.6”) 87.6 mm (3.5”) 358 mm (14”) 6 kg (13 lbs)
Rack ears fitted (1) 370 mm (14.6”) 87.6 mm (3.5”) 358 mm (14”)
Rack ears fitted (2) 482 mm (19”) 87.6 mm (3.5”) 358 mm (14”)
Packed 470 mm (18.5”) 210 mm (8.3”) 400 mm (15.7”) 8 kg (18 lbs)

The console is fitted with rubber feet for desktop operation. A screw on rack ear kit is included for
rack or plinth mounting.

Rack Ears
Allow permanent fixing in a plinth or rack system. Rack Ears bolt on to the sides of console in three
orientations. Ensure air vents are not obstructed. Fix in place using M6 screws or bolts.

Warranty: 1 Years